Shuta Shinoda
Multi-Awards Winning Producer/Mixer/Engineer
Studios
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Selected Works
Awards & Nominations
2025
MPG AWARDS
Breakthrough Producer of the Year
– Short list NomineeMixing Engineer of the Year
– Long List NomineeProducer of the Year
– Long list NomineeRecording Engineer of the Year
– Long List Nominee2024
MPG AWARDS
Breakthrough Producer of the Year
– Long List NomineeMixing Engineer of the Year
– Long List NomineeProducer of the Year
– Long list NomineeRecording Engineer of the Year
– Long List NomineeStudio of the Year
– Long List Nominee2023
MPG AWARDS
Mixing Engineer of the Year
– Long List Nominee2021
MPG AWARDS
Breakthrough Engineer of the Year
– Winner2020
Mercury Prize Nomination
– Anna Meredith – FIBSSAY Award Nomination
– Anna Meredith – FIBS2018
SAY Award Nomination
– Babe – Kiss & Tell2016
SAY Award Winner
– Anna Meredith – Varmints2015
Mercury Prize Nomination
– GhostPoet – Shedding Skin
Bio
Shuta Shinoda is a Japanese Record Producer, Mixer, and Engineer whose distinctive, analog-focused approach has shaped the sound of London’s vibrant music scene. With early experience as a tape op in Tokyo, Shuta honed his craft at Hackney Road Studios before moving on to freelance at the legendary Rak Studios. he has worked with artists such as Hot Chip, Alexis Taylor, Spiritualized, Daughter, GhostPoet, Anna Meredith, and Jehnny Beth, as well as major and independent labels like Universal, Warner, Sony, Domino, Warp, 4AD, PIAS and Cherry Red.His work has contributed to multiple Mercury Prize and SAY Award-winning albums. In 2021, he won the MPG “Breakthrough Engineer of the Year” award and is nominated for MPG “Breakthrough Producer of the Year” 2025.
Interviews
"Don’t sacrifice your friendships, or family or partner for a work. Otherwise you’ll be living on your own with a cat in the middle of nowhere!"
"Don’t say no to an artist. Even if I know an idea of theirs isn’t working, I’ll have to at least try it so I can prove that."
“I don’t want to record anything which sounds too normal, clean or pristine. Everyone else can do that. I like my records to sound dirtier and different.”